When year-end list season starts around Thanksgiving, I’m always enthusiastic, enjoying binge-listening on a couple hundred more albums I missed out on earlier in the year.
It's extremely complex, and our role here is to make something that's nutritious to people's minds in some way (at least for some people).Top 100 Albums of 2014 | 2014 Breakdown: Genre Lists | Shows, Videos | Movies, Television, Books & Comics "It's really important to acknowledge that, especially in these times, where a lot has happened between politics and world situations, and environmental crises. "How fortunate are we to be able to live in this open creative world?" O'Malley says. Though the album's joyous moods might raise questions among listeners who don't typically equate Sunn O))) with such positivity, Anderson describes Life Metal as "very much Sunn O)))," adding "It still sounds very heavy and powerful, but the choices in the tone, Albini's recording, and some of the choices of arrangements have this brightness and a symphonic quality." And from his artist residency in Germany, Australian composer Anthony Pateras contributed emotive music he arranged and recorded on a historic pipe organ for "Troubled Air." At Electrical, they were joined by Chicago bassist Tim Midyett (Silkworm, Mint Mile) and Icelandic singer, multi-instrumentalist, and composer Hildur Guðnadóttir (Jóhann Jóhannsson, Pan Sonic), each of whom added to the record's vibrant color and tone (particularly Guðnadóttir's impressionistic vocals on "Between Sleipnir's Breaths"). On previous albums, Sunn O))) tended to present ideas and build material in the studio, but for Life Metal they came prepared with fleshed-out concepts and arrangements they'd pieced together during two lengthy practice sessions in Los Angeles with longtime collaborator, synth player Tos Nieuwenhuizen.
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He knows how to capture devices, place amplifiers, and how to engineer all of that to make it very accurate." "Not minimalist as in an absence of sophistication, but clear, efficient accuracy without adding flourish or ornate decorations. "Steve is, in his way, a minimalist," O'Malley says. O'Malley and Anderson's desire to channel that live energy into a studio album, and to once again try out some new production techniques, inspired them to work with Albini - who is famous for capturing bands at their absolute essence.
"It's not disassociated from the players, but it's the main character, and that's something that links our live performances, which have an incredible sound energy and immersive energy, to our approach to Life Metal."
"As a musician you're so inside the sound that it's completely obvious that the sound is it's own character," O'Malley says. "You know, 'We've made it, we're still alive, we're still together as a group, and we're really enjoying it, so let's celebrate.'"īy their own admission, they keep their ambitions and their mentality down to earth so that they can enjoy the journey as it unfolds, and in concert - where they perform cloaked in black hooded robes at soul-shaking volumes - they bring the audience along for the ride. "The recording session was kind of a 20th anniversary gift to ourselves," Anderson tells NPR. For founders, guitarists Greg Anderson and Stephen O'Malley, the comparatively uplifting vibes of the new album are a reflection of their friendship and musical partnership that's now in its third decade, and their general sense of contentment in their personal and creative lives.
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